The Church

28 March 2026

Guitar Club brings together Hamburg-based guitarists Danica Hobden and Pouya Abdi with Sydney musicians Hinano Fujisaki and Alex Inman-Hislop.

Working without a bass, the quartet leans into space, resonance, and fragility, unfolding sound through a wide stereo field shaped by two guitars.

As Guitar Club, Hobden and Abdi have spent the past three years establishing themselves as a duo across Hamburg and Northern Germany appearing at festivals such as Sternstunden Festival, Domshof Festival and performing with Hamburger Jazzpreis winner Dirk Achim Dhonau, and now look forward to expanding the project once more to collaborate with esteemed and distinctive Australian artists.

27 March 2026

Firebrand pianist Ronan Apcar and trailblazing saxophonist Alice Morgan join forces to present a contemporary take on saxophone playing that swings between poise and ebullience.

With three world premieres from Australian composers Andrew Howes, Gerard Brophy, and Elizabeth Jigalin, the pair combine virtuosity with lyricism in an international survey of new saxophone works and arrangements. This exploratory program features modern classical music full of rhythmic vitality and vivid musical colours that invites audiences to encounter the rich sound world of this duo in unexpected ways.

22 March 2026

The concert includes both new and reimagined songs from Greenwell’s extensive catalogue of performing arts and concert works, made especially for this dynamic piano trio.

The program will demonstrate the composer’s known versatility and dynamic expression, set to lyrics by leading Australian and international contemporary writers such as Jordie Albiston, Fiona Benson (UK), Alison Croggon, Katy Didden (US), Ross Gibson, Maryanne Lynch and Felicity Plunkett. The concert also features the world premiere of Abigail Lui’s Shorebird Suite.

20 March 2026

Hailed as “Australia’s most exciting young cellist” (Limelight), Switzerland-based Australian musician James Morley works largely as a soloist and chamber musician, and frequently extends into experimental improvisation, electronics and post-instrumental performance. In 2024 James became a YCAT Artist, following a recital performance at Wigmore Hall, before winning the John Cage Award as a duo with Dmitry Batalov. Performance highlights include giving his solo recital debut at Sydney Opera House, Utzon Room, touring Australia with Jean-Guihen Queyras & Satsuki Odamura for Musica Viva, solo recitals at Phoenix Central Park Season XI, Harrogate Festival, Tempo Rubato, Klänge, and joining Manchester Collective in Wigmore Hall and APEX4 at Sydney Festival. He gave his UKARIA solo recital debut at Adelaide Festival 2022 to critical acclaim, and was a finalist of the prestigious Freedman Fellowship 2020.

15 March 2026

The concept for In:Flux is an improvised, electroacoustic, ambient performance by jazz musician Gary Daley on accordion and composer/improviser Fiona Hill on electronics and gestural controllers. The improvised nature of the work lends itself to varying lengths: from a distilled 15 minute performance to an extended longform meditative experience of approximately 50 minutes. The longform evolution expands and develops themes from the shorter version, through a focus on the subtle nuances and timbres of the piano accordion - captured through amplification and transformed with live processing, looping, gestural manipulation and integration with a sonic palette from Fiona Hill’s personal field recording collection. The use of textural material alongside drone and breath-like resonances creates a sonic bed which gives ample room for structural variations, exploration of subtle details and improvisation on themes and motives.

8 March 2026

Ronan Apcar is a pianist, musician, and composer with a reputation of versatility, edge, and tenacity. His love for music across many styles – jazz to the avant-garde, contemporary art music to house music – translates into his open-minded, exciting, and unique work as a musician. Described as "a talent beyond his age" (Limelight Magazine) and “a force to be reckoned with” (ClassikON), Ronan is known for his diverse musicmaking practice that includes performing, composing, arranging, improvising, curating, and collaborating.

27 February 2026

The Australian String Quartet (ASQ) is Australia’s pre-eminent organisation dedicated to string quartet music and Quartet-in-Residence at the University of Adelaide’s Elder Conservatorium of Music.

Defined by excellence in performance and the joy of musical expression, the ASQ’s DNA comprises three inseparable parts. At the centre is the Quartet—four full-time musicians, each a creative force in crafting the world’s most dynamic and intimate music. Surrounding the Quartet is an innovative production company that presents, tours, records, and promotes exceptional artistry. Sustaining this, is a vital community of partners including a national Board, visionary Patron—Maria Myers AC, Major Partner—The University of Adelaide, Instrument Partner—UKARIA and Government Supporters.

22 February 2026

ELISION is Australia’s premier new music ensemble. ELISION has focused increasingly on pushing physical boundaries in search of certain kinds of visceral expressive experiences, the musical body in extremis being a benchmark of the ensemble’s repertoire. In a digitised world where physical presence is frequently replaced by avatars generating enormously complex effects, ELISION continues to be fascinated by an artisanal and intimately gestural approach to the production of music- the co-creative processes of dialogue with composers, in which musicians imagine, develop and build new technical and expressive means.

15 February 2026

Alex Jasprizza is a Sydney based saxophonist and composer. Known for creating immersive live performances that meld field-recordings with ambient soundscapes and electronics, Alex’s music has received critical acclaim from across the music community, with tracks from debut album Waterways nominated in the Wettest 100 (Australia's top fan-voted left field tracks), and receiving airtime on NTS, BBC6, FBi Radio, 2SER, Cashmere Radio, PBS and 4ZZ.

8 February 2026

About Rosie Gallagher
Described as “impressive” (NY Times), Australian flautist Rosie Gallagher was born with an undeniable love of music. Her flute playing has taken her around the world to perform on stages including Carnegie Hall, Royal Albert Hall, and the Sydney Opera House, as well as bringing classical music into less conventional spaces including correctional facilities, healthcare facilities and public high schools.

About Lee Dionne
Pianist Lee Dionne is known internationally as a soloist and chamber musician, having performed numerous debuts in venues such as Carnegie Hall, the Amsterdam Concertgebouw, Jordan Hall, and Spivey Hall. Within Sydney, Lee has been presented by organisations including the Australian Chamber Orchestra, Piano+, Musica Viva, the Sydney Writers’ Festival, Opus Now, and ABC Classic. As an artistic director, Lee is passionate about crafting vibrant programs that connect with audiences through their diversity of style and compositional voice, as well as their virtuosity, emotional intensity, and sense of play.

1 February 2026

Amber Glynn has been a finalist in international piano competitions in Paris, Boston and St Petersburg. She has given solo recitals in Sydney, London, Paris and Munich including in venues such as the Theatre du Chatelet, Salle Gaveau and the Gasteig. Her repertoire is mainly solo piano, ranging from Baroque through to 20th century. Highlights include the Sergei Rachmaninoff transcription of Felix Mendelssohn’s Midsummer Night’s Dream, the complete Frédéric Chopin Waltzes and Mikhail Pletnev’s transcription of Tchaikovsky’s Swan Lake. She has received acclaim for her interpretation of the works of Olivier Messiaen and Bach.

25 January 2026

In this intimate recital composer Cyrus Meurant performs his music in its most essential form, alone at the piano. The program will include selections from the ballet Au revoir mon ami and the album Monday to Friday (composed for people living with dementia), alongside a recent composition Distant Cities, inspired by Rimbaud’s Illuminations.

About Cyrus Meurant
A prolific composer and performer, Meurant’s collaborative and theatre works have been performed throughout the world. His music has been described as “dynamic; dreamlike, plaintive and urgent” (Opera Plus, Europe), “moody and evocative” (Dance Australia), “deeply rich” (City News, Canberra), and “hauntingly beautiful” (The Sydney Morning Herald).

16 January 2026

Johnston’s silent film scores not only bring historical silent films to life but also interrogate the relationship between music and image, challenging preconceptions about what film music can be. He has written about this art form in his 2023 book Silent Films/Loud Music: New Ways of Listening to and Thinking about Silent Film Music, about which the Alloy Orchestra’s Ken Winokur wrote, “Johnston analyses silent film scores with the keen eye of someone who has himself created some of the seminal works in the field”.

11 January 2026

About Rachel Siu
Described as "fearless" by Yo-Yo Ma in an interview with South China morning post, Australian born Rachel Siu has been making her mark all around the world. She completed both her Bachelor of Music and Master of Music degrees under the esteemed mentorship of Joel Krosnick at The Juilliard School, where she was a Kovner Fellow, and a recipient of the William Schuman Commencement Prize for outstanding leadership and achievement during her time at Juilliard. Her previous teachers include Peter Rejto and Susan Blake. 

About Alexander Yau
Alexander Yau, an eminent young Australian pianist, has developed himself into a multifaceted musician incorporating his many musical talents as a chamber musician, conductor and composer. Pianist Balazs Szokolay describes "his artistic taste is good enough not to make any kind of "show" even in the most brilliant parts of great masterworks". 

10 January 2026

Australian pianist Joshua Han has been praised for “complete mastery of his instrument as well as complete empathy with the music” (Sydney Arts Guide). Joshua is an accomplished performer who has received international success and appeared with distinguished orchestras including the Queensland Symphony, Sendai Philharmonic (Japan) and Suwon Philharmonic (South Korea).

14 December 2025

Ambient Delights features pianist Brieley Cutting with musicians Dan Lopez (violin), Eleanor Streatfeild (cello), Luke Spicer (viola), Bonita Han-Williams (double bass) and composer/live electronics performer Mark Oliveiro. 

Franz Schubert’s Piano Quintet in A major takes its nickname from the integration of the vibe and material from one of Schubert’s own art songs, Die Forelle (The Trout). It was conceived in 1819 when Schubert was 22 years old and on holiday in the countryside of Austria at a place he described as "inconceivably beautiful”. Reflecting a lightness and carefreeness, the sound world of this Quintet conjures up sounds of running water and the wriggling of a trout, with beautiful transparency of texture and infectious melodies. 

Mark Oliveiro’s Electronic Suite for piano quartet with live generative electronics will receive its world premiere at this concert. A three-movement journey, this work blurs the line between acoustic intimacy and digital intervention, exploring how acoustic and electronic voices can collide, diverge and ultimately converge - transforming contrast into coherence.

13 December 2025

Vocalist Louisa Rankin and clarinettist Jason Noble come together as SPEL, a duo exploring the curious and abstract corners of fragile, playful, improvisatory music making. Following the release of their debut self-titled album, described as “a supremely human listening experience” (Jazz Valley), SPEL invite you to join them as their subtle, strange and soulful sounds unfold live in concert.

Louisa and Jason are joined by composer/producer Connor D’Netto for a trio performance expanding and contorting SPEL’s sound world with modular synthesisers and live electronic manipulation. Between, hear the world premiere of Connor’s Some Kinda Way, a three-movement work composed for Jason in which his solo clarinet line floats above and weaves through ten pre-recorded layers of himself. To begin the evening, Jason performs Steve Reich’s iconic piece for the same layered setup, New York Counterpoint. 

7 December 2025

Composed by Natalie Nicolas, Peaceful Moments was born from a visit to Westmead Children's Hospital—not to observe the children, but to understand the needs of the staff. What Natalie saw was healthcare workers stretched to their limits, their nervous systems in a constant state of fight or flight. The idea of adding music to their environment, even in break spaces, felt overwhelming to them—one more stimulus in an already overstimulated world. Since COVID, life for patients has largely returned to normal, but for healthcare workers, the pressures remain as intense as ever.

Peaceful Moments was performed at The Church by Matt Withers and Alex Raineri.

28 November 2025

Rose Riebl is a composer and instrumentalist known for her ethereal and emotionally charged music. Rooted in ambient and classical traditions, Rose’s sound is defined by atmospheric, minimalistic arrangements that blend intimate storytelling with expansive sonic textures.

Dust marks Riebl’s most personal and expansive work to date; a profound meditation on loss, love, and the quiet miracle of being alive. Written across a period of transformation, the album bridges the seismic shift between the death of Riebl’s brother and the birth of her daughter.

23 November 2025

Described as “impressive” (NYTimes), “impeccable” (Fanfare Magazine), and “entrancing” (BBC Music Magazine), pianist Lee Dionne leads a varied, international career as a soloist, chamber musician, educator, artistic director, and arranger.​

He has performed numerous solo and chamber debut recitals in such venues as Carnegie Hall, the Amsterdam Concertgebouw, Jordan Hall, Merkin Hall, Spivey Hall, and the Philharmonic in Bratislava.

22 November 2025

Liz Player is a rising-star jazz vocalist and composer pushing the boundaries of musical creativity, technique and storytelling. Emerging from the vibrant musical scene of the Sydney Conservatorium, Liz has been mentored by Jazz greats such as Judy Bailey, Kevin Hunt and Craig Scott, honing a sound that evokes the masters of the past and the genre-pushing artists of today.

16 November 2025

The Sydney Guitar Collective is an initiative of Dr Janet Agostino (President of the Classical Guitar Society Sydney) and Dr Simon Powis (Founder of Classical Guitar Corner). Dr Janet Agostino serves as the Collective’s Musical Director.

Established in early 2023, the Collective provided a platform for young, motivated musicians to showcase their talents through guitar ensemble performances. Since then, the group has developed a diverse repertoire, with a strong focus on Australian works, and is committed to expanding this repertoire through commissioning new music from colleagues, associates, and both established and emerging Australian composers.

7 November 2025

Opera's greatest stories are still being written, here and now. Proving definitively that opera is a vibrant, living artform, Jessica O'Donoghue and Jack Symonds's undead. is a virtuosic celebration of Australian musical and literary talent. Jessica's performances are known to be a "tour de force of dramatic range held together with brilliant vocal precision and control" (Sydney Morning Herald) which "deftly juggle vocal virtuosity and searing energy" (Limelight).

6 November 2025

Stephanie and Erin will perform two previously neglected works by leading musical figures on an original Parisian Erard grand piano from 1853, (restored in 2017 by Frits Janmaat in Amsterdam). The early nineteenth century Erard pianos’ qualities were essential to the development of creating large orchestral sound textures on the piano alone.

2 November 2025

This concert featured three works for flute, viola and harp by Claude Debussy, Nicholas Routley and Romano Crivici. Long established as the defining work for this unusual instrumental combination, in his late Sonata of 1915, Debussy opened a new world of tonal colours and textures. Set alongside are two World Premieres by living Australian composers, who have both explored the different depths and possibilities of the impressionistic, almost mystical colours of these three instruments.

31 October 2025

A powerhouse unit of rare intimacy, flexibility and intensity, BELIEVE connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz. When your benchmarks are Albert Ayler and The Necks, and you intend to play for the universe, not the algorithm, the remarkable is possible. For the past three years this Sydney-based quartet has committed to a musical process of learning, exploring, experimenting and growing in public. No other local group has been so committed to playing live.

5 October 2025

Mara Kiek's expressive and compelling voice evolved in tandem with the discovery and inspiration offered by the many cross-cultural connections and collaborations in her career. For over 40 years, Kiek's ARIA winning band MARA! has been a platform for presenting music of many cultures—particularly those of the Balkans—layered with its members' international credentials in the worlds of jazz, classical, improvised and original music.

27 September 2025

Air Mass, a new concert experience by award-winning saxophonist & composer Nick Russoniello redefines the boundaries of the solo saxophone recital. Touring nationally in 2025, this show combines extreme saxophone playing, audience generated sounds, live looping, body percussion and more.

26 September 2025

Round the Sun represents a reflection on my experience during a post Covid decent into and recovery from significant mental and physical illness. Music became the centre for me, affording me moments of clarity, equanimity and even beauty during times of intense difficulty. Several of the pieces are directly connected to specific experiences, while others emerge out of a broader contemplation on how we react to periods of crisis.

14 September 2025

Composer performer Solomon Frank and performance artist Harriet Gillies present 33 short pieces. For this project, Harriet and Solomon begin their interrogation of contemporary experimental performance and sound practice with the goal of having fun. 

7 September 2025

Over the past two years, composers/pianists/sound artists Lewis Mosley and Elizabeth Jigalin have explored the sonic intricacies and possibilities of The Church's pianos. Playing on the two grand pianos, they have investigated the potential of two similar yet separate instruments performing as one - all against the incredible acoustic backdrop of The Church.

30 August 2025

Sarah Levins is an emerging artist and producer from Sydney, Australia. As a striking multi-instrumentalist with a background in operatic classical voice, she crafts eclectic, larger-than-life recordings with her unmissable voice at the centre.

29 August 2025

Dennis van Rooyen is a classical and electric guitarist interested in the potentialities of composed and improvised music in a curated context.

He is currently completing a Masters of Guitar at the Musikhochschule Lübeck, with Professors Otto Tolonen and Nicola Hein.

17 August 2025

As one of the most impactful composers of the 20th century, George Gershwin’s music has permeated all aspects of society and culture around the globe. The Nexas Quartet has always held Gershwin in the highest regard due to his significant influence on their repertoire and style with his ‘Three Preludes’ being one of the first works the ensemble performed over 20 years ago. Gershwin's innovative approach to blending classical and jazz elements aligns perfectly with the quartet’s mission of exploring and redefining the boundaries of saxophone music. This fusion of styles in pieces like “Rhapsody in Blue” and “An American in Paris” not only showcase the saxophone’s versatility but also helps to elevate its status within both genres. Joined by Vatche Jambazian on the piano Nexas bring to life the music of George Gershwin.

1 August 2025

Melbourne based cellist Hamish Jamieson is a graduate of the Australian National Academy of Music and ACO Emerging Artist Program, Hamish has performed with leading orchestras across Australia and internationally. He will soon begin a Master of Arts at the Royal Academy of Music in London and this will be his farewell performance before moving to his hometown in preparation. This recital explores the adaptability of Bach’s music and the unique possibilities of the cello in a work originally written for solo violin.

27 July 2025

Explore the unique and vibrant Australian ensemble featuring recorder player Alicia Crossley and percussionist Joshua Hill. With a shared love for contemporary music, Alicia and Joshua formed in 2014 and have performed in concerts and festivals around Australia. The duo perform repertoire spanning 800 years, presenting innovative new works and textural soundscapes alongside traditional masterpieces. Duo Blockstix are also passionate supporters of Australian music and strive to collaborate with Australian composers to encourage the creation of inspired, conceptual, and virtuosic new compositions. 

20 July 2025

At the age of 22, Australian classical guitarist Rupert Boyd left Australia for the first time, bound for New York City with just a suitcase and a guitar, and not knowing a single person in North America. He has subsequently become regarded as one of the finest guitarists of his generation, having been described by Gramophone as “a very fine musician” and by The Washington Post as “truly evocative”, and has performed across four continents, from New York’s Carnegie Hall, to festivals in Europe, China, India, Nepal, the Philippines, New Zealand and Australia.

19 July 2025

Named after the remarkable Australian violinist of the early 20th century, the Alma Moodie Quartet shares the dedication to the music their namesake championed, from Beethoven and Mozart to the neglected music of the early twentieth century. The quartet have appeared at the Canberra International Music Festival, Tasmanian Chamber Music Festival, Hayllar’s Beethoven Festival, Hayes St Studio series, Mesh, Elder Hall, and various regional centres.

13 July 2025

Louis Wishart is a Sydney-based Composer and Musician, whose sound synthesises post-Coleman free-improvisation aesthetics, with industrial music and contemporary Eastern European composition stylings.

29 June 2025

"Mirage," is a hallucinatory experience where the natural world's desecration unfolds through spectral sound and symbolist verse. Performers Jack Symonds, Jane Sheldon and Blair Harris present music by Saariaho, Faure, Dusapin, Sheldon and Symonds. Their spectral sounds creating a mesmerising, dreamlike experience, a shimmering, unsettling illusion. The music will be interwoven with poetry by young First Nations artist Lucy Norton.

23 March 2025

Andrei Hadap is a pianist, composer, scholar, and teacher based in Sydney. He completed his Bachelor of Music at the Sydney Conservatorium of Music, where he received First-Class Honours and several academic awards, studying under Stephanie McCallum and Erin Helyard.

16 March 2025

Fine experimentalists in their own right, Sia Ahmad and Bree van Reyk brought their friendship into a first time collaboration, exploring their shared Belconnen teenhood and personal connections with faith to chants and meditations to share as an intimate experience with others.

9 March 2025

Venus Observed is Clayton Thomas (bass) and Phoebe Bognár (flutes). A duo of dynamic energy, sonic playfulness and honed skills, Venus Observed present a context-responsive music, engaging audiences and space with flexibility and improvisational skill. Two globally recognised practitioners of their instruments, it is a rare orbit to find them in Australia at the same time.

8 March 2025

Winner of the 2024 Australian National Piano Award, Joshua Han has been praised for “complete mastery of his instrument as well as complete empathy with the music” (Sydney Arts Guide). Joshua is an accomplished performer who has appeared with distinguished orchestras including the Queensland Symphony Orchestra and North Sydney Symphony Orchestra. He is undertaking a Master of Music Studies (Performance) under Dr Paul Rickard-Ford at the Sydney Conservatorium of Music.

2 March 2025

Best known for his work as a founding member of The Cat Empire, Ollie McGill presented his debut solo work, 'Beach House', a neo-classical record inspired by his memories of his childhood winters spent on Phillip Island surrounded by family. The collection of 15 piano pieces are a combination of composition and improvisation, and are just the first taste of what’s to come from Ollie.

9 February 2025

Felix Bornholdt is a pianist and composer from Aotearoa New Zealand. A prolific improviser and pianist, Felix is a regular fixture in Sydney both as a solo artist and as part of the electronic trio Bike Thief. In 2023 he released his debut solo piano record, Man Overboard.

Felix performed a selection of works from Man Overboard, as well as several new works. 

7 February 2025

Renowned as “Australia’s most exciting young cellist” (Limelight), Switzerland-based Australian cellist James Morley is celebrated for his innovative solo and chamber performances, exploring experimental improvisation, electronics, and post-instrumental approaches.

Erin Helyard has been acclaimed as an inspiring conductor, a virtuosic and expressive performer of the harpsichord and fortepiano, and a lucid scholar who is passionate about promoting discourse between musicology and performance.

31 January 2025

Gadigal/Sydney based pianist and composer Wilbur Whitta presented a new set of improvised music for piano and organ.

This performance drew on Wilbur’s recent sonic explorations with digital organs, and was inspired by solo improvised works from the likes of pianists Craig Taborn, Paul Bley, Masabumi Kikuchi and Kit Downes. The set saw Wilbur free-soloing between both piano and organ, navigating in the moment to find new paths up the mountain.

6 November 2024

To celebrate Gordi's return with new music, we were thrilled to host Sophie Payten for a one-off special, intimate solo show at The Church. Our debut publicly announced concert at The Church, it was a full circle moment for Gordi who spent a week in the venue last summer working on new material.

February 2026

Rehearsals for performances in Southern Highlands.

February 2026

Archival filming.

February 2026

Donor function.

February 2026

Work development in collaboration with Ensemble Offspring and Sydney Chamber Opera

January 2026

‘12 Months’ project.

January 2026

Filming.

January 2026

Work development.

January 2026

Rehearsal.

December 2025

Workshop.

December 2025

Work development.

December 2025

Work development.

December 2025

Taryn Fiebig scholarship.

November 2025

Emerging Artists workshop.

November 2025

Rehearsal.

November 2025

Rehearsal.

November 2025

Rehearsal.

October 2025

Donor function.

October 2025

Workshop with guitarist Tim Kain.

October 2025

Filming with Matt McGuigan.

October 2025

Audition recording.

September 2025

Rehearsal for performance at Uzton Room (Sydney Opera House).

September 2025

Rehearsal for Mezzo Cuckoo for Sydney Fringe Festival

September 2025
Rehearsals for Arnold Schoenberg’s Pierrot Lunaire

September 2025

Work development.

August 2025

Filming by James Bradley.

August 2025

Rehearsals for upcoming recording. 

August 2025

Audio recording.

August 2025

Rehearsals for performance at ACO On The Pier and audio recording.

July 2025

Rehearsals and audio recording.

July 2025

Mike Nock filmed interview with Sue Healey.

July 2025

July 2025

Rehearsal for performance at Harold Park Hall.

June 2025

The Hairy Ape new work development.

June 2025

Young Artist donor function.

June 2025

Rehearsals for Aphrodite.

May 2025

Rehearsal for Avant Gardens: Double Symmetry.

May 2025

Rehearsal for Distant World.

May 2025

Recording of new composition for flute and piano performed by Konstantin Shamray (piano) and Joshua Batty (flute).

May 2025

Rehearsal for East-West Resonance.

April 2025

Rehearsals for Lumen Machine featuring Zubin Kanga, performed Sat 12 Apr at The Neilson ACO On The Pier.

April 2025

Work development for Aphrodite.

April 2025

Rehearsal and showing.

March 2025

Audition recording.

March 2025

Audition recording.

March 2025

Rehearsal.

March 2025

BioticX work development.

February 2025

Rehearsal for performance at Museum of Contemporary Art as part of the 2025 VL50.

February 2025

Recording of new work for two pianos and percussion, featuring Joshua Hill (percussion), Hunter Bailey Watts (piano) and Jihyeon Lim (piano).

February 2025

Video recording, featuring Jordan Chung (piano), Hinano Fujisaki (saxophone), Sabine Tapia (bass) and Manson Luk (drums).

February 2025

Publicity shoot with guest cellist Umberto Clerici.

February 2025

Rehearsal for performance at Sonic Spaces on 7 Mar 2025.

January 2025

Showing of new works by emerging composers.

January 2025

Work development, ‘Duet for One’ with Sonya Lifschitz and Tim Gruchy.

January 2025

Rehearsals for concert.

January 2025

Rehearsal for Sydney Festival performance at the Art Gallery of NSW, ‘Cloud Music’.

December 2024

Work development.

December 2024

Work development for March 2025 performance at The Church.

December 2024

‘Invite only’ concert premiering of Ekrem Eli Phoenix’s ‘Sonolith’ (2014), based on the 30 Articles detailing an individual’s basic rights and fundamental freedoms, as adopted by the United Nations General assembly on 10 December 1948.

Rehearsal for public performance at the Belgian Embassy in Canberra.

December 2024

Taryn Fiebig Scholar donor function.

November 2024

Rehearsals for ‘Force Fatale’ concerts in Sydney and Melbourne.

November 2024

Audition recording.

November 2024

‘Hatched’ program rehearsals for Sydney Opera House Utzon Room premiere of new works by emerging artists.

November 2024

Masterclass with Stuart Skelton

November 2024

Rehearsal for concert at Annandale Creative Arts Centre.

November 2024

Alex Raupach, Jonathan Zwartz, Wilbur Whitta & Jack Rosenzweig  with guest Flora Carbo, rehearsal for Jazz Upstairs.

November 2024

Rehearsal for the Dunera Mass at the State Library of NSW.

November 2024

Rehearsal for concert with Oakland Symphony (USA).

October 2024

Rehearsal for new album launch at The Vanguard, held on 27 October.

October 2024

Recording of new work by Elena Kats Chernin.

October 2024

Rehearsals for Out West Piano Fest 2024.

October 2024

Audition recording.

October 2024

Experimental work development.

October 2024

Experimental work development.

October 2024

Audition recording for the Australian National Piano Awards.

October 2024

Audition recording.

October 2024

Audition recording.

October 2024

Audition recording.

October 2024

Video recordings for professional website.

September 2024

An opportunity for early-to-mid career composers to collaborate with and be mentored by leading Australian and international composers

September 2024

The young soprano was the 2024 winner of the IFAC Handa Australian Singing Competition

September 2024

Rehearsals for BOOM! Festival at WAAPA (Perth, WA).

September 2024

The classical guitarist is the 2024 winner of the hallowed Fulbright scholarship which will support his study in Bremen, Germany.

August 2024

Rehearsals for 'Light and Matter', performed at Sydney Opera House on 3 August 2024.

August 2024

Rehearsals for 'An Ambivalent Woman of 37', to be performed as part of Sydney Fringe 2024.

August 2024

Audition recording for 2024 Lev Vlassenko Piano Competition. Josh was successful in passing the audition to the live rounds.

August 2024

Filming of 'Music for 50 Musicians', commissioned by Sydney Improvised Music Association (SIMA).

August 2024

Rehearsals for upcoming concerts at The Birds' Basement (Melbourne), Hume Conservatorium (Goulburn) and Avoca Beach Theatre.

August 2024

Work development with collaborators Alex Pozniak, Nikki Heywood and Stephan Adams.

August 2024

Rehearsal and audition filming for 'Strike a Chord 2024' competition. The trio, Vincent Zhu, Jamie Wallace and Hannah Tyrrell, won the Grand Final prize presented by Musica Viva Australia.

August 2024

Rehearsals for a concert at Melbourne's Tempo Rubato, held on 31 August 2024.

August 2024

Rehearsals and filming for 'Gilgamesh', to be performed at Carriageworks on 26 September — 5 October 2024.

August 2024

Private donor function, featuring performances from Emma John, Francis Atkins and William Hannah.